Tuesday 6 September 2016

Misrepresenting Halliday On Context, Register And Genre

Martin (1992: 571):
For Halliday, the complication has to do with introducing the concept of first and second order contexts, with first order field and tenor oriented to situation and second order field, tenor and mode defined by reference to language.  Table 7.21 sums up his (1978: 143-5) position:

Table 7.21. First and second oder [sic] register in Halliday (1978)

first order
second order
field
social action
subject matter
tenor
social roles
speech function roles
mode
medium, rhetorical genre


Blogger Comments:

[1] To be clear, both first and second order field and tenor are systems of context, and both are related to language by realisation — the relation between levels of symbolic abstraction.  The relation between different orders of experience is projection.

[2] Here Martin misrepresents Halliday (1978: 142-5) by substituting his own model for Halliday's.  For Halliday's 'context', Martin substitutes 'register', and for Halliday's '(rhetorical) mode', Martin substitutes his 'genre'.

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