Martin (1992: 502-3):
The register variables field, tenor and mode can then be interpreted as working together to achieve a text's goals, where goals are defined in terms of systems of social processes at the level of genre.
Blogger Comments:
[1] In SFL theory, field, tenor and mode are the metafunctional dimensions of context, not register. A register realises the field, tenor and mode of a situation type.
[2] In SFL theory, field, tenor and mode do not "work" and texts do not have goals:
- at the instance pole of the cline of instantiation, field, tenor and mode are dimensions of the situation that is realised by a text;
- it is speakers and writers who have goals; see the next post.
the register variables field, tenor and mode
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can
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then
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be interpreted
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as
|
[[[working together || to achieve a text's goals]]]
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Token/Identified
|
Process:
|
|
relational
|
|
Value/Identifier
|
working
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together
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to achieve
|
a text's goals
|
a
|
x b
|
||
Process: material
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Accompaniment
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Process: material
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Goal
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We
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can interpret
|
the register variables field, tenor and mode
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as
|
[[[working together || to achieve a text's goals]]]
|
Assigner
|
Process: relational
|
Token/Identified
|
Value/Identifier
|
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